Want to move a clip all the way to the end of a program? Simply pick it up from the lower timeline and drag it to the end of the upper timeline to move it down the edit.
The upper timeline shows the entire edit while the lower timeline displays the current work area.īoth timelines are fully functional, allowing you to move and trim clips in whichever timeline is most convenient. The new cut page also features an innovative dual timeline so you never have to zoom in or out again. It’s an old fashioned concept that’s completely modernized to help you find the shots you need quickly and efficiently. This makes it easy to scrub through all of the shots, find the parts you want, and quickly edit them to the timeline. Plus, the regular edit page is still available, so you can switch between edit and cut pages to change editing style on the fly.įurthermore, video editors can now simply click on the source tape button and all of the clips in their bin will appear in the viewer as a single long “tape”. Whether you’re delivering for broadcast or for YouTube, the cut page has everything you need to get the job done, all in one place. The cut page lets users import, edit, trim, add transitions, titles, automatically match color, mix audio and more. It’s an alternate edit page with a streamlined interface and revolutionary new tools that will help customers work faster than ever. In addition, the professional post-production suite now includes dozens of other new features for professional editors, colorists, VFX artists, and sound engineers.ĭesigned specifically for editors working on high end fast turn around work such as television commercials and even news cutting, the cut page is all about speed. As teased earlier last week, Blackmagic Design has just officially introduced DaVinci Resolve 16 – a major update that adds a revolutionary new cut page specifically designed for editors that need to work quickly and on tight deadlines.
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